Steve Pond
![Steve Pond](png/steve-pondd2ae.png)
Steve Pond
Steve Pond’s inside look at the artistry and insanity of the awards race, drawn from more than three decades of obsessively chronicling the Oscars and the entertainment industry.
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Paul Giamatti to Receive Icon Award at Palm Springs International Film Awards
The honor will come for Giamatti’s performance in Alexander Payne’s “The Holdovers”
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Penelope Spheeris’ ‘Decline of Western Civilization’ Trilogy Wins Legacy Award From Cinema Eye Honors | Exclusive
The rock ‘n’ roll documentaries were made over 17 years and chronicled unruly and vibrant subcultures
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How Many Votes Does It Take to Get an Oscar Nomination in 2024?
In 15 of the 23 categories, the magic number to land a nom is within two of last year’s number
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Oscars Gain More Than 200 Voters – but Actors Branch Keeps Shrinking
For the third year in a row, the Academy’s biggest branch drops in size
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‘Ferrari,’ ‘Society of the Snow’ and ‘The Killer’ Deliver the Sound of Trouble
TheWrap magazine: The sound teams on those three movies had to conjure up car wrecks, a plane crash and some assassinations
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‘20 Days in Mariupol’ Director Hopes His Film Can Go Where the News Cycle Can’t
TheWrap magazine: “Even the most important events last for a day or two and then disappear in the sea of other events,” Mstyslav Chernov says
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How Da’Vine Joy Randolph Found ‘Many Dimensions of Grief’ in ‘The Holdovers’
TheWrap magazine: “Grief has many facets. That was something I tried to constantly engage and explore,” the actress says
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Meet the Teenage Actors Who Make Italian Oscar Entry ‘Io Capitano’ So Powerful
TheWrap magazine: “It was a big pleasure and pride to represent what immigrants go through,” says Moustapha Fall, who joins Seydou Sarr in Matteo Garrone’s brutal drama
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The Sound of ‘Barbie’: Authentic, Artificial and Sparkly
TheWrap magazine: “Greta (Gerwig) would say things to us like, ‘Put a little sparkle on it,’ and at first I didn’t get what she was saying,” says re-recording mixer Kevin O’Connell
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How One ‘Barbie’ Dance Song Turned Into a Giant Job for Mark Ronson and Andrew Wyatt
TheWrap magazine: “Everything influenced everything else,” Mark Ronson says of the film’s mixture of songs, score and dance numbers
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Greta Gerwig Says Her Goal With ‘Barbie’ Was to ‘Write the Greatest Script Nobody Ever Makes’
TheWrap magazine: “It felt like the exact kind of idea I like, which is just on the edge of ‘how is this even possible?’” says Gerwig
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How to Shoot All That Pink and Other Lessons in ‘Barbie’ Cinematography
TheWrap magazine: “The first day on the set, I discovered that it was really a problem,” says cinematographer Rodrigo Prieto
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How an Existential Crisis Led to Singaporean Oscar Entry ‘The Breaking Ice’
TheWrap magazine: “When you’re stuck, you look to find a new direction,” says director Anthony Chen of the movie that came out of his pandemic melancholia
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Sterling K. Brown Says ‘American Fiction’ Flexes How He’s ‘Much Sillier Than People Give Me Credit For’
TheWrap magazine: Brown, who won Emmys for “This Is Us” and “The People v. O.J. Simpson,” says “I guess I fool them into thinking that I am a serious actor