There’s a war going on inside many Adam Sandler movies and the loser is frequently the audience. Sandler may be an innately lovable performer, but his sense of humor is also abrasive and immature. So for every great Sandler comedy like “Happy Gilmore” or the overlooked “Hubie Halloween” — films that strike a satisfying balance between charm and adolescent weirdness — there are also films like “That’s My Boy” and “Jack and Jill,” where our affection for Sandler can’t quite compensate for an overwhelming cavalcade of mean-spirited “jokes” that confuse bullying with whimsy.
But when Sandler delves into the world of family-friendly animation he usually sets aside his vicious streak, so his childish humor and uncomplicated moralizing can shine through.
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