‘Hell’s Kitchen’ Off Broadway Review: Alicia Keys Celebrates a Big Apartment Complex

The songwriter makes her legit stage debut with a jukebox musical about a songwriter

A group of people, mostly with dark-toned skin, dance on stage with a faux city background.
Maleah Joi Moon (foreground) and the company of "Hell's Kitchen" (Photo Credit: Joan Marcus)

As monikers go, “Hell’s Kitchen” is much sexier than “Manhattan Plaza” — which is probably why Alicia Keys’ new stage musical, with a book by Kristoffer Diaz, goes for the much hotter title. “Hell’s Kitchen” opened Sunday at the Public Theater.

The musical is reportedly semi-autobiographical in its details of the singer-songwriter’s life in her late teens, growing up with a single mother in the Manhattan Plaza apartment complex, located in the southern end of Hell’s Kitchen between 42nd and 43rd Streets. Nothing could be more different from the old tenements of Hell’s Kitchen, once home to Irish immigrants, than the relatively new complex of 44-story apartment towers that were built in the 1970s to house upper-middle-class tenants.

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