The debates about the finale of “Succession” go on and on, and yet few have the perspective to say the obvious: From the start, this was a bad show, and a misconceived one. In a world of peak TV and oceans of post-”Sopranos” high-end work from around the world, this was an endeavor made by people not quite clear on the concept. There were no adults in the room. “Succession” was very much like what you would get if the Roy children themselves tried to do a grown-up HBO series.
Indeed, only they would think that they were worthy subjects of a TV show, just as, in “Succession’s” fictional world, they’re the only people who think they’re qualified to run an international media company.